Comings and goings

It's been a busy few weeks of stock management, with little actual making, but some exciting things have happened despite that. I had a bit of a battle with a courier over the return of work from the RCA Conwy Open, but it is finally home, and has now been entered into the Three Counties Open - I really hope that it is successful as this is a very local competition to us, but I shall have to wait a while and see. Meanwhile, I was beyond excited to discover that three of my five submitted linocuts for the Derby Print Open are going to be part of the exhibition, and along with a fourth will be available unframed in the shop. I was able to hand-deliver the work to Banks Mill Studio in Derby, again using our local train station which is on the Derby line. Hooray for public transport!

I have been able to do a bit of printing, the next layer has gone on to both versions of the small kiln at Gladstone.

As you can see they're quite different to each other - the first is very experimental as wanted to play a bit more with spot inking (using small, narrow rollers to ink specific areas) and texture, which I achieved here by using 80% extender in the ink. I know from unwanted experience that this results in patchy coverage, but here it was what I was after, so all experience is useful eventually! I then carved out the lino to print the second, where you can now begin to see more of the structure. The next couple of phases will be working on the first again, always bearing in mind the effect of any carving on the second one, which is now just waiting for the final layer of detailing. A lot of careful thinking and carving ahead.

Last year, in response to the Pressing Matters magazine green and black challenge, I created an A4 version of one of my A6 bottle kilns. Here the are side-by-side:

I have wanted to continue a series of larger versions, with the next intended to be a larger version of my recently completed Chetam's Pottery, which will be orange and black. Completely coincidentally, that is the theme of the next challenge, so I have my time set down for me. The design has been enlarged, and is traced on to a piece of A4 lino ready to be worked on, so watch this space!

Finally, I posted previously about the lovely Two Silver Pennies gallery and shop that has now opened in Uttoxeter. I popped over with our eldest to drop off some more cards yesterday and it was great to see the shop now full of beautiful handmade local products!

This is a very small selection, but some of mine and my husband Ian's pictures are here - Ian's paintings are the Tudor house (Little Moreton Hall in Cheshire), the speckled wood butterfly on blackberries, and the bouquet of lilies. If you want to visit the shop, it's at 1 Church Street in the town centre, postcode ST14 8AG, and it's open Tuesday to Saturday.

That's all for now! More soon, God bless.

Beginnings and continuings

Over the last few weeks I've been slowly working on some new linocuts, and also on getting things ready for a new stockist. The new ones involve continuing with the small bottle oven at Gladstone Pottery Museum, the second colourway is now started with two colours down on what I hope will be a more naturalistic edition, with a light red-brick tone on the surrounding area, and a base yellow brick for the oven, kiln furniture which is to the side, and cobbles. Now that this version is done, I can cut out the areas where I want to keep these colours on the lino ready for the next layer.

The drawing for the Twyfords bottle kilns with scaffolding has gone on the back burner for now, with the Trentham Gardens image overtaking it - I had hoped to get it done to send off with my batch to the new place (more below) but it was not to be... However, progress has still been made, and the drawing is transferred to lino with the lines now having been drawn over with Indian Ink. It's curing for a while now so that when I clean it down with meths it should retain a good clear line still. When I've cleaned it down after only a couple of days in the past it's nearly removed the lot! A good week is much better if you can spare the time.

Josiah & Co at World of Wedgwood where I have a lot of my original bottle oven linocuts for sale has just had a massive expansion of premises, I'm looking forward very much to visiting soon! However, this week I was able to deliver a consignment of work that has been only ever been for sale on my Folksy shop , and three of my husband Ian's paintings, to a brand new shop / gallery /workshop in Uttoxeter, Staffordshire, which is being set up and run by Angie from Made in Staffs called Two Silver Pennies. It's planned to be opening on April the 20th and will be selling work by a number of Staffordshire artists and craftspeople!

Last of all, but equally as exciting, I finally had a couple of sales on my Folksy store after a drought since last summer. I was too pleasantly shocked to do a happy dance! These are the pieces that were posted off to their new homes:

I hope you've enjoyed this update, more soon!

Bottle Ovens and Boats

My linocut of Gladstone Pottery Museum's smallest bottle oven is now properly underway, the first colour is on paper for the first set, and when time allows I'll get the second colourway started too. The oil-based inks need to to dry out for a couple of days, here they're suspended on my Pooki Press drying rack which hangs over a door and is nicely compact, perfect for my small editions!

I have also been working on another set of cards, this time using my oldest lino block which was the first thing I made when I started printmaking again over a decade ago. This boat is taken from a drawing made in 1990 in Cardiff Docks, as it was then.

Here you can see a variety of ways that I've inked this one up, the centre set are this last week's work. The drawing of the boat resting on the mud in the docks is definitely a historic image as this area is now Cardiff Bay, permanently flooded and maintained by the barrage, and redeveloped as a major tourist destination.